Socialist Noirvember
Hank Kennedy discusses film noir’s relationship to the 1940s Hollywood Left and highlights two films of interest for socialist cinephiles. November is often known by …
Hank Kennedy discusses film noir’s relationship to the 1940s Hollywood Left and highlights two films of interest for socialist cinephiles. November is often known by …
Sam Miller reviews Nolan’s ‘Oppenheimer,’ arguing that although the central character is less Promethean than the opening epigram implies, the film is still effective as …
Hank Kennedy profiles actor Bela Lugosi, highlighting the man’s often forgotten left-wing politics. There are two popular images of Bela Lugosi. Of the two, to …
Until today, All Quiet on the Western Front was the oldest book on my Goodreads to-read list (January 2016!). When the Netflix movie came out, …
Francis Babeuf reviews director Edward Berger’s new Netflix-produced screen adaptation of Erich Maria Remarque’s 1928 anti-war novel ‘All Quiet On The Western Front,’ arguing that …
Paul Romano reviews documentarian Steven de Castro’s 2017 film on the New People’s Army (NPA), ‘Revolution Selfie: The Red Battalion,’ and discusses a recent screening …
While I applaud the recent attempt to give a political analysis of the Halloween films, I take issue with how this analysis is not supported …
Stephen Tumino reacts to the new and supposedly final installment of long-running horror-slasher film franchise ‘Halloween’ with an analysis of the franchise’s trajectory, arguing that …
Sam Miller reviews director David Cronenberg’s new film Crimes of the Future, arguing that it successfully critiques ‘end of history’ liberalism. Introduction Saul Tenser: A …
Christos Kefalis, editor of the journal Marxist Thought, argues that French director Éric Gravel’s new film Full Time (French: Á plein temps) presents a remarkable cinematic social …
Christos Kefalis praises Romanian filmmaker Radu Jude’s new film Bad Luck Banging or Loony Porn as a devastating critique of contemporary Romanian capitalism and defends …